KIMI
The pandemic may be receding, but Angela Childs (Zoë Kravitz) continues to work from her loft, perhaps out of agoraphobia, at a job that involves resolving bugs in KIMI, a Siri-like digital assistant.
While working on one of those bugs, she thinks she hears a violent crime. Her efforts to follow up put her in jeopardy.
The thriller self-consciously draws from referents, such as Hitchcock’s classic Rear Window.
Even as the plot grows ominous, he maintains light touch and visual playfulness that keep the movie entertaining.
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