Intermission Violations: Apple, Paramount Crack Down on Theaters Breaking Agreement
Two European cinema chains and one independent theater in Amsterdam sold tickets to screenings of “Killers of the Flower Moon” with a built-in break. A spokesperson for UCI Cinemas, an exhibition chain with venues in Germany, Italy, Portugal and Brazil, confirmed that all of its nearly 80 theaters — with the exception of Imax screens in Porta di Roma, Orio, and Campi Bisenzio — had included a “six-minute interval towards the middle of the film.”
Domestically, The Lyric, a theater in Fort Collins, Colo., showed the historical drama with intermission until Oct. 26. However, they did away with the intermission after getting in trouble with Oaramount, the film’s distributor, and Apple Original Films, its producer.
The companies have been contacting theaters that have violated their contract by splitting up the film and telling them to show “Killers of the Flower Moon” as intended, according to an individual with knowledge of the situation.
To be clear, only a smattering of venues out of the roughly 10,000 globally that are screening “Killers of the Flower Moon” have included an intermission, but it hasn’t gone unnoticed.
Oscar winner Thelma Schoonmaker, the editor of the film and longtime collaborator with Scorsese, told The Standard, “I understand that somebody’s running it with an intermission which is not right. That’s a violation so I have to find out about it.”
While Scorsese has not directly addressed the intermission (or lack thereof), he defended the long runtime of “Killers of the Flower Moon” in an interview, saying, “People say it’s three hours, but come on, you can sit in front of the TV and watch something for five hours.”
“If Scorsese didn’t intend for there to be an intermission, I think that should be at least the primary way people can see it,” says Shawn Robbins, chief analyst at Boxoffice Pro. “That being said, it was a long movie. And I think if there is enough demand out there, and especially if it means a difference in helping someone make the decision to go and buy a ticket, rather than not go see the movie, then maybe there’s an economical and practical argument for at least a limited option.”
