Dogman, the Italian film that world premiered at the 2018 Cannes Film Fest, is second-tier feature from Matteo Garrone, not as powerful as his splashy 2008 debut, Comorrah (still his best work), but one or two notches above Reality and first English-language feature, Tale of Tales.
BlacKkKlansman: Thirteen Reasons Why–Spike Lee’s Movie Should be Strong Contender for the Best Picture Oscar
May 21, 2018 by
Spike Lee’s BlacKkKlansman–13 Reasons Why It Is Oscar-Caliber Movie
Cannes Film Fest 2018: Rafiki, Lesbian Romance from Kenyan Director Wanuri Kahiu
May 11, 2018 by
Kenyan writer-director Wanuri Kahiu’s Rafiki, a lesbian romance between two teenager, is rather conventional from a narrative point of view, but it’s the particular context—working class Nairobi, Africa—that makes the movie more than honorable panel to the growing literature of LGBTQ stories.
Cannes Film Fest 2018: Everybody Knows, Oscar Winner Farhadi’s Mystery Thriller-Family Melodrama
May 10, 2018 by
There are several ways to look at Everybody Knows (Todos lo saben), directed by two-time Oscar winner Asghar Farhadi, which served as opening night (in Competition) of the 2018 Cannes Film Fest.
The Avengers: Infinity War–Breaking History Records
April 29, 2018 by
The Avengers: Infinity War has made film history with the biggest global opening weekend of all time.
